Play Along Piano

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Handel

Pete Alan

3:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	3	8	100%
Violin I	17	0	3	7	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	3	8	100%
Violin I	17	3	7	100%
Violin II	20	4	8	100%
Double Bass	16	3	7	97%
Alto	13	3	6	81%
Soprano	13	3	7	81%
Bass	15	3	7	75%
Tenor	13	4	6	75%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

Aquarius-Ru

2:24	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%

HWV56N24 - Surely He hath bourne our grief

edward.maurath

2:51	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
Organ	16	11	4	7	96%
	22	4	7	8	100%
Cello	22	0	7	8	100%
Contrabass	22	0	7	8	100%
Viola	15	0	4	9	100%
Violin 1	18	0	4	9	100%
Violin 2	13	0	4	8	100%
Alto	9	0	2	8	73%
Bass	15	0	6	9	69%
Soprano	11	0	3	9	69%
Tenor	11	0	3	9	69%

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%

HWV56N22 - Behold the Lamb of God!

edward.maurath

3:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
Violin I	17	0	3	8	100%
Violin II	20	0	4	11	100%
Cello	16	0	3	7	97%
Viola	16	0	3	11	97%
VNE	16	0	3	7	97%
Alto	13	0	3	7	81%
Soprano	13	0	3	9	81%
Basso	15	0	3	7	75%
Tenore	14	0	4	8	75%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%